Carol Vance, Director
Throughout my life I have always participated energetically in some kind of dance/ movement; from ballet starting at age 5, Modern, Jazz, African and Flamenco, Aikido, Tai Chi and Soaring Crane qigong certification, to name a few. Dance, in particular, is what has brought me to my senses and makes me know for certain that I am alive!
Tribal style belly dance came along for me in 1993, just as I was going through major life changes, and has been with me ever since. Gypsy Caravan was just getting started, and its offering was unique and compelling. The other dancers felt like kindred spirits.
Since 1996 I have had the honor to perform, teach and then direct; all the while delighted and amazed by the phenomenal evolution and progression of this dance – so many fusions, styles and interpretations!!
I love it all; the improv, the connection between dancers, the collaboration. Maybe best of all is being a part of women’s empowerment through finding their inner strength, their inner goddess.
I am so grateful.
As a young child I was always known as being very creative, expressive and musical. I took many music classes, but the closest thing to dance that I did was synchronized swimming and gymnastics. I didn’t start dancing until college. But as I started taking classes I immediately fell in love with dance. I took classes in swing, lindy hop, blues, salsa, cha-cha & tango. Later I performed with a swing group called “The Patootie Pies” and a salsa group called “Rumba Caliente.” I also started a band called “The Swing Sisters” where three of us gals sang and danced to songs from the 30s and 40s. One night as I was thinking what the next step for me in dance would be, I impulsively decided to take a belly dance class. I was thinking that this would help me work on my body isolation for my other dances. As I started taking Belly Dance classes through Gypsy Caravan and watching the dancers perform around town I began to love the dance. The dance, the costumes, and the women were all artistic and creative. And I loved that. And after taking many classes I was thrilled to be asked to be a part of Gypsy Heart Tribal in 2010.
As a young girl growing up in New York City, my grandmother would take me to see the Rockettes at Radio City Music Hall. I secretly dreamed of being one, and knew that dance would be a part of my life. My own personal dance history has taken me through modern dance, sacred dance forms, Authentic Movement, Gabrielle Roth’s 5 Rhythms, and Soul Motion.
Seeing Gypsy Caravan for the first time at a performance I was mesmerized, in a state of awe, because I knew in that moment that this was the dance form that I had been looking for. Drawn by a desire to discover the hidden messages within the dance, I found healing and strength within as my sensuality expressed in the sway of hips. At times it was like touching into a vein that ran deep through women and unveiled our ancient roots.
I have been a part of this amazing community of women dancers for a number of years. I have performed in various incarnations as Caravan Daughters, Urban Berbers and now Gypsyheart. I also have been privileged to teach this dance and welcome many women into this enriching dance form. When I am not dancing I work as a Manager of a conference/retreat center in Damascus, Oregon.
I never dreamed of becoming a belly dancer. But, after seeing it for the first time at Tribal Quest in the summer of 2002, and after receiving encouragement from Paulette Rees-Denis, I started taking classes at Caravan Studio. I used to have no confidence, no self-esteem, and I was ashamed of my body. But Tribal belly dance transformed me. It opened my eyes to the beauty in myself, and in all women.
I have been a troupe member since March of 2007, including the Urban Berbers and the Caravan Dance Collective. In January of 2011, we became Gypsy Heart Tribal and continue under the direction of Carol Vance. I am sincerely blessed with love and friendship of all the women I have danced with. I have grown immensely as a dancer and performer, and I discovered who I am through this dance.
I continue taking classes and enjoy mentoring students. My greatest wish is to inspire women of all ages and sizes to discover themselves through tribal belly dance.
I took my first Bellydance class at 47 years old and loved it! My dance history includes three years of cabaret style, several years studying with Gypsy Caravan, and then ten years dancing, teaching and performing with Jane Archer at Euphoria Studios while co-directing the troup Mandala. I loved every minute of it. Only my faith in God and the love of my children and grandchildren come before my passion for tribal belly dance. What a fantastic, global sisterhood of all shapes, sizes and ages! I love being with women who are dedicated, focused, and committed to their dance and each other.
I am blessed and thrilled to be part of Gypsy Heart Tribal as of 2013, dancing, studying, building up and encouraging each other to present our very best and hopefully inspire others. My deepest thanks to our truly inspiring and gifted director and friend Carol, and to the tremendous visionary Paulette Rees-Denis.
After watching a tape of Mikhail Baryshnikov perform “The Nutcracker” at the age of 2 ½ I proclaimed that I wanted to be a dancer. Since then dancing has always been a focus of my life in one way or another. My dance journey began in ballet. I will be forever grateful of the technique and strong base it provided me for learning all other dance forms. From there I enjoyed dancing on my dance team in high school, taking classes of a variety of dance forms in college and beyond. In college I studied raqs sharqi belly dance for three years and thus a love of moving my hips was born! Taking my first tribal class with Gypsy Heart as a way to reacquaint myself with my body after the birth of my son, I fell further in love with this art form. As a tribal dancer I am in awe of the history and community. There is no other dance like it. I am so grateful to have the opportunity to continue learning, growing, and performing as a member of Gypsy Heart Tribal!
I have been dancing for as long as I can remember. I took classes in ballet, jazz, and modern dance but I didn’t take my first bellydance class until 2000. My first introduction to Tribal style was by watching a video (Andrea, Blue Dragon) in class, and I was mesmerized.
The first bellydance workshop I took was in Phoenix, AZ with Paulette and Dulcinea of Gypsy Caravan. Although I was way out of my element at the time, I studied their moves and memorized as much as I could. And then I practiced… and practiced….and practiced….
After a few years of taking classes and workshops, I started teaching bellydance classes in our small Arizona town, and eventually started a Tribal Troupe (Raks Matana). My husband, Ruben, also started drumming and we were in a group together with some live music. When we moved to Portland, we were so excited to be in the hub of bellydance and in the same town as Gypsy Caravan.
I took several classes at Caravan Studio but then also took classes from several local teachers at various studios in Portland and Vancouver. I was also in the cabaret troupe, Tiger Lilies directed by Cassiopeia, and was a member of PURE from 2013 to 2014. When I started taking Gypsy Caravan style classes with Gypsy Heart, it felt like coming home to me. I am so happy to be a part of this wonderful group and to dance with such beautiful women. It has been my dream for a long time to be in Gypsy Heart!
I have always had a love for the arts, but being a dancer is something I never thought I’d do, particularly because of my history as a klutzy tomboy. If you told me in 2010 that I was going to be a bellydancer one day, I would have laughed skeptically and told you I was more likely to get back into competitive swimming. I took an introductory class with my mother as a way of spending more time with her, and the story is pretty self explanatory from there: I fell in love with the feminine empowerment and group dynamic of tribal style.
I love that there are no restrictions to who can do this dance. You don’t have to look a particular way, be a certain age, or come from a specific background. This group of women is endlessly welcoming of everyone. Tribal style itself is a melding of many cultures and influences. The strong sense of community and acceptance is what I appreciate most about my dancing sisters.
By profession, I am a digital 2D animator, working on everything from web advertisements to TV shows and movies. I am constantly amazed how much dance has cross influenced my work, improving my powers of observation, timing, and gesture drawing. Dance has become my creative outlet and has brought me an unexpected deeper love of my body and my career path.
Previous troupe dancers:
Karen Hunt, 2010-2015
Gina Lee, 2010-2015
Pamela Smith-Hill, 2010-2014
Melissa Sandoz, 2010-2013
Hannah Fulop, 2011-2013